Online screening & live Q&A
The thousand-year history of a farm in rural Derbyshire, entangles with the life of queer Chicago-based artist, Mark Jeffery.
Returning to his childhood home in December 2019 to memorialise personal loss, and extending his body via the wearable sculptures of Grace Duval, Mark’s choreography brings forward the mineral and animal in all of us within a film composition that considers connections between place, language, loss and movement.
You are invited to a screening of Winterage: Last Milk followed by a live Q&A with artists Lucy Cash and Mark Jeffrey, with Facilitator & Host Sara Jane Bailes.
"Uncanny and unlike anything I’ve experienced before. The film brings so many different agencies together and distributes them (human/nonhuman, physical body, animated body, physical landscape, animated landscape, text, physical sound, mediated sound, song). These are all inseparable from personal/social history, pop cultures and hidden cultures, queer cultures, wild/unbounded space, confined space, climate change..." Lin Hixson (Every House Has A Door)
You can now buy a recording of this live event giving you access to watch as many times as you like for the next 2 weeks.
If you bought a ticket prior to the live online event on 25th November this 2 week subscription to the recording is already included in your purchase and you will receive access codes to the recording on Monday 29th November.
We have partnered with Citizen Ticket so every ticket sold helps plant trees in the UKBUY TICKET
About the artists
Mark Jeffery is a Chicago-based queer performance/installation artist, curator and Associate Professor at the School of the Art Institute of Chicago. Mark co-founded ATOM-r in 2012 a performance/technology group where he is a choreographer and performer in the company. He is the organizer of IN>TIME, a Tri-Annual performance festival hosted by multiple venues in Chicago. Mark was a former member of the internationally renowned Goat Island Performance Group from 1996 – 2009.
UK-based Lucy Cash in an interdisciplinary artist, curator and educator working within and through choreographic processes, and across form. Her commissioned work often involves social exchange and has taken place in galleries, museums, libraries, housing estates, on water and in the air. Her works have shown in both cinema & installation contexts and in galleries including Sophiensaele and Haus der Kulturen der Welt, Berlin; Hyde Park Art Center; Cultural Center and Sullivan Galleries, Chicago, USA; Tramway, Glasgow; Whitechapel Gallery, Tate Modern, Siobhan Davies Studios, and the Natural History Museum, London, UK. She was an associate member of Goat Island 2005 – 2009.
Sara Jane Bailes (Facilitator & Host)
Sara Jane Bailes is a theatre artist, scholar and writer. She works internationally with artists as dramaturg, mentor, consultant and co-creator. She’s interested in the social, political and ethical modes of friendship and alliance that develop through art practice and its collaborative methodologies. She’s author of Performance Theatre and the Poetics of Failure (2011), co-editor of Beckett and Musicality (2014) and publishes widely on contemporary experimental performance and live art practices in print, live and web-based contexts. She’s Associate Professor and teaches in the Drama, Theatre and Performance programme at the University of Sussex.