40 ARTISTS | 5 DAYS | 10 LOCATIONS | BRISTOL/GLOBAL
‘Bristol festival leaves its mark on audiences with personal, political shows’ The Guardian
IBT17 invited audiences and artists to join us and take a stand.
IBT17 presented live art, theatre, music, dance, exhibitions, talks, activism and clubs, bringing together audiences from Bristol, the UK and the world to celebrate art and its power to make change.
IBT17 was also a special year for us as we launched our International Showcase presenting 22 exceptional British live artists offering a version of the UK rich with a diversity of voices. Showcase artists were selected by an expert UK panel and performances were open to everyone.
200 delegates attended the showcase from Bristol, Manchester, Glasgow, Birmingham, London, Newcastle, Brighton, Cardiff, Jersey, Folkstone, Belfast, Brussels, Dublin, Athens, Ljubljana, Helsinki, Porto, Riga, Friebourg, Melbourne, Sydney, Tasmania, Hong Kong, Kyoto, New York, Seattle, Seoul, Shanghai, Penang, Vancouver.
40 international delegates were subsided by Arts Council England to develop new global markets for UK artists.
‘Thank you to all of the IBT17 artists whose work I encountered, it has left an indelible mark.’ Joyce Rosario, Push Festival (Vancouver)
Welcome Dinner with International Producers, Tues 7 Feb 2017
We had over 200 professional colleagues travel from 31 countries to experience IBT17.
The Welcome dinner was a chance for delegates, IBT partners and colleagues to meet at the Watershed in Bristol before the festival started.
Speakers included Estella Tincknell Deputy Mayor at Bristol City Council,Phil Gibby South West Director of Arts Council England, Clare Reddington Creative Director at Watershed, Bill Gee Chair of In Between Time and Helen Cole Artistic Director and CEO at In Between Time.
IBT17 Live Art Symposium, Wed 8 Feb 2017
How Can Live Art UnF***ck the World?
The IBT17 Live Art Symposium poses the question – how can we change the world? Combining professional panels with a programme of uncompromising artistic provocations.
Speakers and artistic interventions included; David Micklem: Creative Associate, IBT, Helen Cole: Artistic Director/CEO IBT, Selina Thompson: Artist, Angela Mattox: Artistic Director, Portland Institute of Contemporary Art, Angharad Wynne Jones: Artistic Director, Arts House Melbourne, Teja Reba: Artistic Director, City Of Women, Llubljiana, Low Kee Hong: Head of Artistic Development (theatre) West Kowloon Cultural District, Judith Knight: Director Arts Admin, Ron Berry: Director, Fusebox Austin, Joyce Rosario: Associate Curator, Push International Festival, Vancouver, Jo Bannon: Artist, Sara Zaltash: Artist, Fiona Winning: Head of Programming, Sydney Festival, Priit Raud: Artistic Director, Baltoscandal Festival, Ophelia Huang: Head of International at Shanghai Dramatic Arts Center, Christiana Galanopoulou: Artistic Director, MIR Festival, Nadine Jessen and Anas Aboura: Artists, Lois Keiden: Director, Live Art Development Agency, London, Aaron Wright: Director, Fierce Festival, Birmingham, Afreena Islam: Chair, Artistic Evaluation Board, Contact, Manchester, Andy Field: Co-Director, Forest Fringe, Nick Anderson: Co-Director, Buzzcut, Glasgow, Joon Lynn Goh: Senior Producer, IBT and Kim Noble: Artist.
the end of the world is always happening somewhere for someone and we are all complicit in some way- Selena Thompson #ibt17assembly
— KellyDrummondCawthon (@kdcWORK) February 8, 2017
Ghost Dance by Lone Twin, Wed 8 Feb 2017
Video of @Lone_Twin c. 13.30 yesterday. Pretty sure everyone who visited over course of 12 hours did dance in their sleep last night #ibt17 pic.twitter.com/1mI8fl80bg
— Fräulein Dreznin (@ldreznin) February 9, 2017
Festival Opening Night at Colston Hall, Wed 8 Feb 2017
‘IBT17 is a programme of urgent work that is provocative, open, diverse & celebrates internationalism’ – Helen Cole
‘A calendar of forward thinking live art, dance and drama that aims to surprise and catalyse’ – The Bristol Magazine
Voodoo by Project O, Wed 8 & Fri 10 Feb 2017
‘Have wanted to see something by Project O for a long time and loved it. Haunting but so much fun (have never seen anything else I would describe that way)’
Volunteer
Amazing experience guiding two hearing impaired through performance of #Voodoo @TrinityBristol. Whole new perspective offered #IBT17
— Fräulein Dreznin (@ldreznin) February 11, 2017
Cock and Bull by Nic Green, Wed 8 - Thurs 9 Feb 2017
Nothing better than coming out of a show feeling empowered, special & understood, as opposed to a bit thick #CockandBull #IBT17 @nicgreen_
— lauracollier (@lauracollier) February 9, 2017
Morning Assemblies and In Conversations, Thurs 9 - Fri 10 Feb 2017
The day started with caffeinated discussions in a ‘post Brexit’ and ‘post Truth’ reality within our Morning Assemblies later followed by In Conversation‘s with leading artists and producers.
Our Morning Assemblies talk SOLD OUT today. Make sure you join us for 'Welcome to the UK: How do we stay open?' 10am tomorrow @ArnolfiniArts pic.twitter.com/3FSyrgHdyD
— In Between Time (@In_Between_Time) February 9, 2017
Woodland by French & Mottershead, Thurs 9 - Sun 12 Feb 2017
Review: "You listen as your body decomposes, becoming one with the earth you lie on" - Woodland at #IBT17 https://t.co/rC3Qo3axpj pic.twitter.com/LTlioAlayU
— Exeunt Magazine (@theatremagazine) February 10, 2017
'This is a festival that lives up to its name. It gives you the freedom to dictate your own time.' Matt Trueman, What's on Stage
Race Cards by Selina Thompson, Thurs 9 - Sun 19 Feb 2017
‘Race Cards was moving, thought-provoking and a brilliantly simple idea that will stay with me for a long time.’ Volunteer
Just went to see @SelinaNThompson's show Race Cards as part of #ibt17. Lots to think about. It's incredible. Go see it.
— Rife Magazine (@rifemag) February 9, 2017
OUT by Rachael Young, Thurs 9 - Fri 10 Feb 2017
Vogue, oranges and black politics @Rachaelraymck #ibt17 @Anna_Roma_Smith @In_Between_Time pic.twitter.com/EV6h2scGBV
— CUNTemporary (@CUNTemporaryLdn) February 10, 2017
Baby Face by Katy Dye, Thurs 9 - Fri 10 Feb 2017
Vesper Time by Stacy Makishi, Fri 10 - Sat 11 Feb 2017
Review: Vesper Time– "a gorgeous hymn using the brevity of life as motivation for fearlessness, truth + love" #IBT17 https://t.co/kRVRjRohcv pic.twitter.com/h5XxlyhxQm
— Exeunt Magazine (@theatremagazine) February 12, 2017
The Record by 600 HIGHWAYMEN, Thurs 9 - Sat 11 Feb 2017
‘The 45 Bristolians taking part don’t know one another’s names. They’ll be strangers sharing a stage, just as they share a city.’- The Guardian
‘The wonder of humanity and togetherness, when everyone ran on stage’ – Audience
Andy Field reviews the UK premiere of The Record from @600HWM at @BristolOldVic as part of @In_Between_Time: https://t.co/pUkIvkii8t pic.twitter.com/sHEHkGsh3d
— this is tomorrow (@thisistomorrow_) February 24, 2017
Gala Reception, Bristol Old Vic, Thurs 9 Feb 2017
200 people auditioned for The Record and 45 performers were in the stellar cast from across 8 Bristol neighbourhoods.
‘In these uncertain times, no performance could give us more courage & confidence than 600 HIGHWAYMEN’S The Record’ – Phil Gibby
“I loved it, found it very moving, honest, powerful, affecting… I am a doctor and can find it hard to connect to feelings under the onslaught of NHS workload, this piece made me cry, i felt i could connect to what I had pushed away.” Audience member (The Record)
LOST in TRANS- by Dickie Beau, Thurs 9 Feb 2017
Saw incredible show by Dickie Beau: Lost in Trans this wkend @In_Between_Time @TrinityBristol unbelievable level of craft! @deborahantoinet pic.twitter.com/mYKkrbJ1M5
— Synaestheatre (@Synaestheatre) February 13, 2017
JOHNSMITH LIVE: whatever being by johnsmith, Thurs 9 Feb 2017
@_johnsmith_y2k TRANSformations #whateverbeing #ibt17 @mary_osborn @In_Between_Time pic.twitter.com/h6bg0pjPLE
— CUNTemporary (@CUNTemporaryLdn) February 10, 2017
Dancing With Strangers: From Calais to England by Instant Dissidence, Fri 10- Sun 12 Feb 2017
Rita Marcalo danced with 40 people on the streets of Bristol.
Dancing in #Bristol as part of @In_Between_Time #IBT17 with @RitaMarcalo & @Dani_in_Bristol! pic.twitter.com/qJNj1t3tmn
— Martin Evans (@thinktwink) February 12, 2017
As Far As my Fingertips Take Me by Tania El Khoury, Fri 10 - Sun 12 Feb 2017
Bristol festival leaves its mark on audiences with personal, political shows https://t.co/d2IuZuRjJz
— lyngardner (@lyngardner) February 13, 2017
My Big Sister Taught Me This Lap Dance by Rosana Cade, Fri 10 - Sun 12 Feb 2017
‘This is an extraordinary piece and Rosana Cade is an extraordinary woman.’ Exeunt
Review: My Big Sister Taught Me This Dance - is "destructive in its emotional weight..an extraordinary experience" https://t.co/tkKws1brx8 pic.twitter.com/20JMzxUPW7
— Exeunt Magazine (@theatremagazine) February 13, 2017
Because of Hair by Vivian Chinasa Ezugha, Fri 10 Feb 2017
‘Daring people also to remember that however much a body is covered up, it still exists and should be acknowledged’ – Exeunt
Review: Because of Hair at #IBT17 - "Ezugha’s show is about the right to be heard, the right to take up space" https://t.co/k8lRuFKTKI pic.twitter.com/AkD4yi2W4d
— Exeunt Magazine (@theatremagazine) February 14, 2017
Immersive Music Programme at the IMAX, Fri 10 Feb 2017
TONIGHT! Our collab at the IMAX w/ @In_Between_Time continues with @factoryfloor + @tom_konxompax & @NOTWAVINGG Last tix on the door... pic.twitter.com/SrZLr0bCOm
— Bristol Beacon (@Bristol_Beacon) February 10, 2017
Real Magic by Forced Entertainment, Fri 10 - Sat 11 Feb 2017
Real Magic review – Forced Entertainment's devilish gameshow is a tour de force https://t.co/zRIdxCGky6
— lyngardner (@lyngardner) February 12, 2017
Beastie workshops by Lone Twin, Sat 11 - Sun 12 Feb 2017
Has anyone else spotted this mysterious creature around #Bristol today? #IBT17 pic.twitter.com/YecKkdIgCl
— In Between Time (@In_Between_Time) February 9, 2017
Playing Up by Live Art Development Agency, Sat 11 - Sun 12 Feb 2017
2250 adults and children attended and participated in LADA’s Playing Up over 2 days at Arnolfini.
“We have a piece of art in the Arnolfini. On a special plinth. #PLAYINGUPIBT” Audience
Live art at #playingupIBT! Such a great afternoon. Thanks @In_Between_Time @ArnolfiniArts! pic.twitter.com/Lx1MbnZj1n
— Fran Harkness (@BrisArtsMonster) February 12, 2017
Undress/Redress by Noëmi Lakmaier, Sat 11- Sun 12 Feb 2017
Undressed & redressed in formal clothing, @NoemiLakmaier lightly poses questions around autonomy, sexuality, service and care #IBT17 pic.twitter.com/LnXMPjY68X
— Drake Music (@Drake_Music) February 12, 2017
RECOVERY by FK Alexander, Sat 11 - Sun 12 Feb 2017
Another extremely affecting & generous performance, @fkalexander. Ambitious, thoughtful work on #Recovery @In_Between_Time
— Lucy Tyler (@tyler_lucy) February 12, 2017
Workshy by Katy Baird, Sat 11 - Sun 12 Feb 2017
Loved helping out w @In_Between_Time crew today @katy_baird #workshy was amazing thought provoking laughs, all good thankyou. GO SEE #IBT17
— j double-yew (@cloudstomperUK) February 11, 2017
Triple Threat by Lucy McCormick, Sat 11 Feb 2017
Immersive Music programme at the IMAX, Sat 11 Feb 2017
Top night out at the imax. @factoryfloor @NOTWAVINGG @tom_konxompax were all great. Well done @In_Between_Time @Colston_Hall pic.twitter.com/Wma1WWE34f
— Rise Music - Bristol (@risebristol) February 11, 2017
Cuncrete by Rachael Clerke and The Great White Males, Sat 11 Feb 2017
Clever, funny, confrontational. We loved Cuncrete as part of @In_Between_Time festival. #ibt17
— Visit Bristol (@VisitBristol) February 11, 2017
The Dawn, Sat 11 Feb 2017
Featuring Matthew Herbert Colours, B.Please, Bodywork, We Like To Party, Truce – Girl collective Feat. FRAU DJS + Duchess DJs Bristol and Limbic Cinema
Reflections on IBT17...
IBT17 reviews
Read @RealTime_Arts amazing review of some of the work at #ibt17. 'A fellow audience member bursts into tears.' https://t.co/1xBGFQepeF pic.twitter.com/mnAC9dw4LT
— In Between Time (@In_Between_Time) March 1, 2017